2020 ~September 27: Roaming Assembly#28 presents Sonsbeek Council#2 ~ Infectious Waves ~ on power and radio. Convened by sonsbeek 20->24
The DAI and sonsbeek 20->24 (the quadrennial that radiates waves outward from Arnhem, The Netherlands, to the rest of the world and back) are joining forces for a speculative journey in several iterations, scheduled between March 8, 2020 and June 24, 2021. After Roaming Assembly# 27 presents Sonsbeek Council #1 Force Times Distance - On Labour and its Sonic Ecologies, which took place in Tunis just one week before the pandemic was officially declared, we are extremely pleased to announce:
Roaming Assembly#28 presents Sonsbeek Council#2 Infectious Waves – on power and radio
curated by the curatorial team of sonsbeek20←24: Antonia Alampi, Amal Alhaag, Aude Mgba, Zippora Elders, Bonaventure Soh Bejeng Ndikung and Vincent van Velsen.
Assistant curator: Krista Jantowski
Kindly hosted by Radio Kootwijk
With contributions by:
Simon(e) van Saarloos (DAI, 2020)
(Scroll for Practical Information)
“It ⎨radio⎬ is purely an apparatus for distribution, for mere sharing out. So here is a positive suggestion: change this apparatus over from distribution to communication. The radio would be the finest possible communication apparatus in public life, a vast network of pipes. That is to say, it would be if it knew how to receive as well as to transmit, how to let the listener speak as well as hear, how to bring him into a relationship instead of isolating him”.
Radio Kootwijk stands in the middle of a park as a cathedral for wireless communication. Neither neutral nor innocent; as all technocratic fantasies (pre)tend to be. The Radio Kootwijk transmission conglomerate was the first to provide a direct radio link between the Netherlands and its colonies in Indonesia (known at the time as the Dutch East Indies) as another transmitter park had been built in the south of Bandung. This project was a means to bridge a distance of approximately 12.000 km between coloniser and colony, to overcome physical borders and multiple national jurisdictions. It was a way for the Dutch colonial government to circumvent international dependencies and create a direct and efficient system of communication - to perform imperial domination, to make more efficient warfare tactics, to strengthen forms of administration and control. The simultaneous increasing insurgency of subversive anti-colonial political movements led the Dutch government to in turn change strategy towards an increasingly repressive regime that suppressed potential acts of resistance. In this context Radio Kootwijk was merely the long imaginative arm of the colonizer to whom the colonized people’s suffering was seen as administrational byproduct, as casualty, as noise. This type of radio transmission represents both the possibility of connecting some voices while at the same time preventing others from connecting, airing or interfering with authority and Dutch nationalist propaganda.
Theodor Adorno once used the metaphor of radioactivity to describe Walter Benjamin´s first experiments with radio. He defined it as such to speak of the power Benjamin had to transform every word that came under his scrutiny, while at the same time referencing the magic, the mystery and the power of the medium itself. “Radioactive, shares with Rundfunk, or radio, a connotation of atmospheric spreading, dispersal, and uncontrolled movement across and within borders and lines of containment; the airwaves, like the air or the atmosphere, represent a quasi-invisible scene or medium of transmission”.
With this program we want to zoom into the relationship between these electromagnetic waves and power – strong, dangerous, tempting, infectious, and contaminating as power can be.
In front and inside of this monument we begin by understanding where we are while we listen by looking at its architecture and its historical function, and at what meanings these types of structures still convey. We aim to look at the topography of desire that defined the colonial project and the types of relations it made possible or not, and inevitably the role that radio communication and radio broadcasting played in this, ranging from being a means of subjugation to one of resistance. We also reflect on it vis-á-vis the conditions that define relations in the present moment, the ways in which online means of communication are currently shaping relations along the multiple and changing lines of division and distance that national jurisdictions keep producing.
Through talks, lectures, concerts, performance poetry, dance and film we invite you to a speculative journey around radio, Kootwijk, soundwaves, intimate and public emissions, emotions, power in its connection to desire, and beyond.
"Radio as a Means of Communication: A Talk on the Function of Radio", Bertolt Brecht, in Screen, Vol. 20, Issue 3-4, Winter 1979, Pp. 24–28.
12.30-12.50: opening performance by Jessica Manuputty
12.50-13.20: word of welcome by Gabrielle Schleijpen & intro sonsbeek curatorial team (Antonia Alampi, Amal Alhaag, Aude Mgba, Zippora Elders, Bonaventure Soh Bejeng Ndikung, Vincent van Velsen)
13.20-13.45: lecture by René Boer, introduced by Amal Alhaag
13.45-14.15: ritual and dance performance by Fazle Shairmahomed
14.15-14.45: lecture by Wim Manuhutu, introduced by Amal Alhaag
14.45 -15.00: conversation with Wim Manuhutu, René Boer and Fazle, moderated by Amal Alhaag and Aude Mgba
15.00 -16.00: lunch
16.15-16.45: Pelumi Adejumo, introduced by Krista Jantowski
16.45: performance by Sofia Jernberg (solo live) & Rully Shabara (duet via prerecording), introduced by Aude Mgba
17.15: lecture by Iheb Guermazi, introduced by Krista Jantowski
17.50 -18.05: lecture by Simon(e) van Saarloos, introduced by Amal Alhaag
18.05 -18.20: Quinsy Gario audio contribution, introduced by Aude Mgba
18.20-19.00: Closing remarks and introduction Em'kal Eyongakpa by Aude Mgba
19.00 -20.00: Em’kal Eyongakpa: sound intervention
22:00: Kootwijk closes
Sunday, September 27 2020, 11.30 AM - 9.00 PM
With respect to Radio Kootwijk’s COVID-19 regulation in line with Dutch Governement policies and DAI’s COVID-19 protocol, we are unfortunately unable to host the general public and so to our regret we cannot welcome you in our midst.
That said: we are eagerly looking forward to sharing with you a LIVE AUDIO STREAM link (on the day of the event), soon to be followed by an in-depth reflection written by Janine Armin and to be published by OPEN! Platform for Art, Culture & the Public Domain – our 2019-2020 media partner.
Planetary Campus is an innovative conceptual space (without walls) where the MA curriculum "DAI Art Praxis" meets with a wide variety of external parties. A welcoming hub where we host a fleeting, affective community, where art and research are generously shared, where complexity can be embraced and intellectual intra-actions are fostered, aiming to endow our praxes, wherever they are operational. The Planetary Campus constitutes a productive interface between academia and the world, between academic and artistic researchers, practitioners, activists, intellectuals, institutions and organisations. As an infrastructure Planetary Campus is the container for a variety of activities initiated by the DAI:
One of them is the Roaming Assembly, a recurring public symposium functioning as it were as the DAI-week's 'centerfold' event. This state-of-the-art speculative and hybrid program explores specific themes and topics of contemporary relevance to the thinking of art in the world today.
Although closely interlinked with the DAI's curriculum, Roaming Assembly editions are not conceived as plain extensions of the regular DAI classes and seminars, but rather envisioned as sovereign happenings, designed to mobilize our bodies, our intelligences.
Initiator and curator-in-chief Planetary Campus: Gabriëlle Schleijpen
Senior coordinator Planetary Campus: Nikos Doulos
RA Co-ordinator facilities | technical support : Peter Sattler
Documentation: Baha Görkem Yalim; see our Video Archive
Communication design: Lauren Alexander & Hanna Rullmann/Foundland
(for the editions with sonsbeek20-24 in collaboration with Frederique Gagnon, Werkplaats Typografie)
Media partner: Platform for Art, Culture & the Public Domain
Host: Radio Kootwijk