Marwa Arsanios

Marwa Arsanios is an artist, filmmaker and researcher who reconsiders politics of the mid-twentieth century from a contemporary perspective, with a particular focus on gender relations, urbanism and industrialisation. She approaches research collaboratively and seeks to work across disciplines.

Arsanios has been the subject of solo exhibitions at the Beirut Art Center (2017); Hammer Museum, Los Angeles (2016); Witte de With Center for Contemporary Art, Rotterdam (2016); Kunsthalle Lissabon, Lisbon (2015) and Art in General, New York (2015). Her work has also been shown in a number of group exhibitions, including From Ear to Ear to Eye, Nottingham Contemporary, UK (2017); Home Return, Maxxi Museum, Rome (2017); Let’s Talk about the Weather, Sursock Museum, Beirut (2016); HERE AND NOW, Ludwig Museum, Cologne (2016); Thessaloniki Biennial (2015); Home Works Forum, Ashkal Alwan, Beirut (2010, 2013, 2015); Here and Elsewhere, New Museum, New York (2014); 55th Venice Biennale (2013); Meeting Points 7 – Ten Thousand Wiles and a Hundred Thousand Tricks, M HKA, Antwerp (2013); In Other Words,nGbK, Berlin (2012) and12th Istanbul Biennial (2011), among others. Screenings of her videos have taken place at the Centre Georges Pompidou, Paris (2011, 2017); Berlin International Film Festival (2010, 2015) and e-flux storefront, New York (2009).

She was awarded the  Special Prize of the Pinchuk Future Generation Art Prize (2012) and nominated for the Paulo Cunha e Silva Art Prize (2017) and nominated for the Han Nefkens Foundation award in (2014) She was also a fellow at Akademie Schloss Solitude, Stuttgart, Germany (2014) and Tokyo Wonder Site, Tokyo Arts and Space (2010). She is the co-founder of 98weeks Research Project.

Arsanios received a Master of Fine Art, University of the Arts London (2007) and was a researcher in the Fine Art Department, Jan Van Eyck Academie, Maastricht, The Netherlands (2011–2012). She is currently a PhD candidate at the Akademie der bildenden Kunst in Vienna.

 

 

 

Marwa Arsanios @DAI:

2023-2024 COOP study group ~ Curating Positions: Stream of consciousness: between collective filmmaking and anarchist thought

2022-2023 COOP study group ~ Curating Positions: A cut through the screen

2021-2022 COOP study group ~ Curating Positions: Nostalgia for the light*: Struggles’ Reverberations in Cinema

2020-2021 COOP study group ~ Curating Positions: Bodies and Antibodies in Cinema

2019-2020 COOP study group: Curating Positions: Location In Reverse- Care For a Place Through the Cinematic Lens

2018-2019 COOP study group: Curating Positions: Logics of Montage. In Between the Cinematic Apparatus and the Exhibition

2017-2018 COOP study group: Curating Positions: Practising Organisation Under Present Conditions

 

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