Natasha Ginwala is Associate Curator at Gropius Bau, Berlin and Artistic Director of Gwangju Biennale 2020 with Defne Ayas. Ginwala has curated Contour Biennale 8, Polyphonic Worlds: Justice as Medium and was part of the curatorial team of documenta 14,2017. Other recent projects include COLOMBOSCOPE Festival ‘Sea Change’ (2019); Arrival, Incision. Indian Modernism as Peripatetic Itinerary in the framework of "Hello World. Revising a Collection” at Hamburger Bahnhof - Museum für Gegenwart, Berlin, 2018; Riots: Slow Cancellation of the Future at ifa Gallery Berlin and Stuttgart, 2018; My East is Your West at the 56th Venice Biennale, 2015; and Corruption: Everybody Knows with e-flux, New York, 2015. Ginwala was a member of the artistic team for the 8th Berlin Biennale for Contemporary Art, 2014, and has co-curated The Museum of Rhythm, at Taipei Biennial 2012 and at Muzeum Sztuki, Lodz, 2016–17. Ginwala writes on contemporary art and visual culture in various periodicals and has contributed to numerous publications. She is a recipient of the 2018 visual arts research grant from the Berlin Senate Department for Culture and Europe.
2020 The Kitchen
2017 Contour Biennale 8 Public Programme / ROAMING ASSEMBLY#12 ~ Planetary Records: Performing Justice Between Art and Law.
2015-2016 The Kitchen / Not The Restaurant
2013-2014 To Make A Work
2012-2013 Curating Academy
2010-2011 The Autonomy Project Summerschool