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WORLD

WORLD is the DAI's curated online webspace bringing "world" to "home" and "home" to "world" beyond the social media attention span. Students, alumni, tutors, partners, friends and comrades: your precious announcements will be here to stay. Please send them (visuals and text as separate files) to world@dutchartinstitute.eu

January 19, 2016 at Motel Spatie: 16:00, opening of DE-MODERNISE ~ an exhibition with works by Helen Zeru (DAI,2017) and Elejan van der Velde

| tag: Arnhem

KABBO KA MUWALA—THE GIRL’S BASKET: contemporary artistic perspectives on African migration. With the participation of Kiluanji Kia Henda, Helen Zeru (DAI, 2017) and others.

| tags: Harare, Kampala, Bremen

Sunday 24 January 2016: If I Can’t Dance will celebrate the launch of Edition VI – Event and Duration ~ with Leonor Antunes, Alex Martinis Roe, Naufus Ramírez-Figueroa, Joke Robaard and Erin Alexa Freedman and Lili Huston-Herterich, Fred Moten and Wu Tsang, Peter Pál Pelbart, and Vivian Ziherl

| tag: Amsterdam
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HOME COOP HowToDoThingsWithTheory The Kitchen / AEROPONIC ACTS WEAVER

BULLETIN#7 - the last Confluence of this academic year in Matera, Italy ~ July 10 till 19, 2026

Bulletins contain the complete, day-to-day program of a specific DAI Confluence.

ACADEMIC CALENDAR

our roaming trajectory 2026-2027 (updated 26 August, 2026)

3+4 October: Join us at BAK basecamp in Utrecht for 'If Not Here, Then Where? Making Our Home In Shared Struggle'. Conveners: Ana Teixeira Pinto and Gabriëlle Schleijpen. On the occasion of Gabriëlle’s completion of her tenure as artistic director of the DAI (2002-2026) we come together to insist that belonging is forged through shared production, struggle, and infrastructure.

APRiCot Garden brings together research trajectories by alumni and practitioners from the wider DAI community. This second, special edition, 'If Not Here, Then Where?, presents talks, conversations, lecture-performances, exhibition (till 18 Oct), agitational workshop, book launch 'A Cut Through the Screen: Struggles' Reverberations in Cinema' and an experiment with the dance floor as curatorial space and place of study.

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