Victoria Ivanova is a curator, researcher, and writer living in London. Having previously worked in the human rights field, in 2010, she co-founded a multidisciplinary cultural platform in Donetsk, Ukraine, which critically explored the intersection between activism, education and artistic research. Ivanova is one of the founding members of Real Flow—a research and development platform for socialising finance. Her practice is largely informed by systems analysis and her interest in infrastructures as mechanisms for shaping and (re)producing socio-economic and political realities. Current research interests include technological innovation and financialisation in the context of the contemporary art sphere, and possibilities for new technological infrastructures in prototyping post-Westphalian citizenship models. Ivanova's recent publications include ‘Art’s Values: A Détente, a Grand Plié' in Parse 2: The Value of Contemporary Art (2015), ‘Novelty Intermediation and the Future of Accelerationist Politics’ in Reinventing Horizons (2016), ‘Fractured Mediations’ in The Time-Complex. Postcontemporary (2016) and ‘Contemporary Art and Financialisation: Two Approaches’ in Finance and Society (Art and Finance issue, 2016). Ivanova is currently completing her PhD at the Centre for Cultural Studies, Goldsmiths.