Seminar 1: 10 - 12 December 2024

Tuesday 10^th

Morning: Presentations Leire Vergara, Marwa Arsanios, Leon Filter

Afternoon: Presentations of practices: all participants are asked to present their work in a 20 minutes presentation.

Evening: Film screening and discussion

Wednesday 11th

Morning: Walk

Afternoon: Continuation of presentations, practicalities and logistics

Evening: Conversation on working together

Thursday 12th

Morning: Writing exercise: we will delve into a collective writing exercise that departs from our film screening and discussion on Tuesday, and will attempt to formulate a possible address to a particular piece of land.

Afternoon: Filming workshop: we will attempt to translate what comes out of our writing exercises into filmed time-based material.

Evening: Wrap-up

Reading List

Reading the Dead: A Black Feminist Poethical Reading of Global Capital

Labour of Listening

‘‘THE DEVIL LOOKS LIKE A MOUNTED POLICEMAN’’: “NUESTRA VOZ DE TIERRA, MEMORIA Y FUTURO,” AND THE CINEMA OF MARTA RODRÍGUEZ

Further Readings

 The Militant Image: A Ciné‐Geography

 Excerpt from Wood, David Michael John: Revolution and pachakuti : political and indigenous cinema in Bolivia and Colombia. PhD thesis, King's College, University of London, 2005. 189–206.