2025-2026 FROM CONFLUENCE TO CONFLUENCE ~ Grant Watson's seminar: SCRITTI POLITTI

SEMINAR: April 17, 18 & 19, 2026

 

SEMINAR: March 13, 14, 15 2026

The March Seminar at Matera developed the theme of political writing, pursuing the question: What makes a text political? Does politics reside in the content, the affect, the actions or community convoked? For this session the group read ‘The Materiality of Affect,’ from Rosemary Hennessy’s, ‘Fires on the Border, The Passionate Politics of Labor Organising on the Mexican Frontera,’ a texts which outlines and helps to link affect theory to historical materialism and activism. The group also read Sofia Samatar and Kate Zambrano’s book ‘Tone’ which explores the affective qualities of ‘tone’ through a heterodox research project undertaken by ‘The Committee to Investigate Atmosphere’ specially created to undertake this study. The book addresses the labour politics of academic work and suggests ways to structure research along no-normative trajectories. Finally the group read the introduction to Nasser Abourahme’s, ‘The Time Beneath the Concrete: Palestine Between Camp and Colony,’ a text that thinks through the Palestinian refugee camp in order to discuss the question of time as a critical battleground between the settler colonial project and indigenous resistance. The seminar also included listening to a podcast interview with Nasser Abourahme about his book, watching the film ‘London’ by Patrick Keiller, and reading and discussion of student text submissions.

Readings:

Nasser Abourahme, The Time Beneath the Concrete: Palestine Between Camp and Colony, Duke University Press, Durham: 2025

Rosemary Hennessy, Fires on the Border, The Passionate Politics of Labor Organising on the Mexican Frontera, University of Minnesota Press, Minneapolis: 2013

Sofia Samatar and Kate Zambreno, Tone, Columbia University Press, New York: 2024

SEMINAR: January 17, 18 & 19, 2026

This seminar block continued the inquiry into the political potentiality of art and writing by turning to affect as a register of orientation between bodies, political and social structures. Engaging with Leela Gandhi’s Affective Communities, we considered how aesthetic practices intersect with anti-colonial thought, asking whether poetry can provoke fractures from within the ideological project of the Empire. Through Ghandi’s cross-reading of Kant and Hegel, the session traced her anti-colonial approach to aesthetics troubling fixed binaries of autonomy and historicity. Drawing on Rosemary Hennessy’s Fires on the Border, a second strand turned to practices of bearing witness, examining the role of the researcher within labour struggles and introduced concepts such as meantime and second skin to think through lived temporalities and heterogeneous experiences of labor organising. Through Raymond Williams’ notion of structures of feeling, we engaged with (pre-)emergent forms of cultural experience exceeding formalised cultural categories, posed against the uneven distribution of representation and cultural participation. These questions were tested in reflections on Oscar Wilde’s fairytales, enacted in a Situationists psychogeographic exercise and discussed in relation to two film screenings addressing the musical scene of Turkish migrant workers in Germany and an intimate essay film of a Palestinian filmmakers’ diasporic experience.

17.01.

Morning Session

Introduction, Practicalities & Recap from last Seminar

Reading: Leela Gandhi. Chapter 6: Art, in: Affective Communities: Anticolonial Thought, Fin-de-Siècle Radicalism, and the Politics of Friendship (Durham: Duke University Press, 2006).

Zoom Call with Grant

Afternoon

Communal walk & Listening: Oscar Wilde’s Fairytales 

Writing Feedback Session: Emma, Leo

18.01.

Morning Session

Reflections on Palestine Teach Out

Reading: Rosemary Hennessy. Introduction, In: Fires on the Border: The Passionate Politics of Labor Organizing on the Mexican Frontera, (Minneapolis: University of Minnesota Press, 2013). 

Afternoon Session

Writing Feedback Session: Tomaso, Aimee

Affective Mapping: Situationists' Psychogeography Exercise

Screening: Love, Deutsche Mark and Death (2022)

19.01.

Morning Session

Communal Walk & Listening: What’s left of Philosophy: Raymond Williams on Literature and Cultural Materialism

Reading: Raymond Williams. Structures of Feeling, In: Marxism and Literature, (Oxford: Oxford University Press, 1977).

Afternoon Session

Recap, Collective Notetaking

SEMINAR: November 22 & 23, 2025

Saturday 22
Morning
Introductions: GW the course, Theresa intro, individual introductions by the group.
Reading: Walter Benjamin Author as Producer and What is Epic Theatre?
Workshop: Language Experiment
Afternoon
Performance:Brecht The Measure Taken 
Screening: Suely Rolnik
Sunday 23
Morning
Reading: Politically Red
Presentation: Theresa dissertation 
Afternoon
Writing workshop
Discussion regarding the structure of subsequent seminars ...

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